Voices of NCDF: Thomas DeFrantz
September 7, 2015 § Leave a comment
Today we’ve got Thomas DeFrantz, who is touring with the NCDF for the first time. Thomas’ work, “imnewhere” incorporates some special technology, that he describes in this video.
Thomas DeFrantz is Chair of African and African American Studies and Professor of Dance, and Theater Studies at Duke University. He is past-president of the Society of Dance History Scholars, an international organization that advances the field of dance studies through research, publication, performance, and outreach to audiences across the arts, humanities, and social sciences. He is also the director of SLIPPAGE: Performance, Culture, Technology, a multi-disciplinary arts collective that explores emerging technology in live performance applications. He convenes the working group Black Performance Theory and the Collegium for African Diaspora Dance. His books include the edited volume Dancing Many Drums: Excavations in African American Dance (2002) and Dancing Revelations: Alvin Ailey’s Embodiment of African American Culture (2004) and Black Performance Theory co-edited with Anita Gonzalez. A director and writer, his creative works include CANE: A Responsive Environment Dancework that premiered at Duke in April, 2013.
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